Wednesday, October 20, 2010

Exhibition: Cantchant Vernon Ah Kee

 Hi
 
Today we visited the exhibition held again at Tandanya National Cultural Institute to view works by artists including Vernon Ah Kee and Sistagirls. It was an interesting exhibit of cultural significance, social awareness and traditional lino arts. It was divided into 3 main areas, first being Vernon's perspective of life through the means of surfboards and typographic statements. One of the most interesting statements I noted was "your duty is to accept me, my duty is to tolerate you", which I think sums up the thoughts of a lot of people and shows the hardship between forming relationships with Indigenous Australians, almost as if to say we 'have to' accept them.
As we made our way through the centre, the second area consisted of lino printing from various artists, whose intricate artworks were amazing. The detail that had been put into the prints i.e decorative elements was what made the works stand out. Most of the prints were focused on the lands and animals that occupy the artists communities, some with strong influences of the marine life.
The last part of the exhibition was the photographic images of Bindi Cole, highlighting the way trans gender Indigenous people in the Tiwi Islands are outcast from the community. During the times of Catholicism, the term used for trans gender people 'Yimpininn' was phased out and the Indigenous peoples attitudes became those like the Western society, showing no sympathy towards these people.
Bindi's pictures range in stylization and some are more successful than others. Below is an image titled 'Jemima', who is traditionally dressed with natural surroundings, I think some of the other photos tried to over stylize the subject.
Overall, this exhibition was interesting and insightful towards the beliefs and attitudes of the Indigenous communities.

b.mac



Monday, October 11, 2010

Artist: Richard Bell

Compared to all the other artists that we have been looking at over the last 10 weeks, Richard Bell seems to stand out, for the apparent reason, his politics behind his work. His attitude towards the Indigenous arts community is far less contained as he expressed his thoughts through image and type. Even though his messages are not completely his own issues, he uses those issues from earlier days to confront the current society to how the Indigenous communities of Australia were treated.
Back to his early days, Richard was born in 1953 in Charleville, south west Queensland and was a member of the Campfire group of artists based in Brisbane. Emerging from this artist group, Richard began to merge from the traditional Indigenous art style and focus on the ways he could express his feelings through different mediums. The images below are examples of his works and the rich colours on canvas he uses as well as textured and 'gritty' feelings to relate to the text. Not being an artist myself, I would consider his work modern / stylistic and abstract compared to traditional Indigenous art. I think that Richard gives the Aboriginal art world a voice to say that it's not just dot paintings or paintings of the land, confronting the viewer to broaden their perspective of the history and culture of Indigenous Australians.

b.mac




Monday, October 4, 2010

Artist: Philip Gudthaykudthay

hi all,

This week I am looking at artist Philip Gudthaykudthay who was born in Ramingining in Arnhem land, Northern Territory and is a renowned artist who works with mediums such as bark paintings, ochers on bark, carved and painted hollow log coffin, dupun and carving. He began painting during the 1960's and continues to produce artworks and was in Rolph De Heer's 2006 film, Ten Canoes. His success as a painter led him to become the first artist of Ramingining to host his own solo exhibition. Personally, out of all the other artists I have looked at so far, I find Philip's paintings the most unique / abstract styles as they use uneven shapes, limited colour pallets which are more traditional ocher mixes and the texture used in the backgrounds is made up of tiny shapes which don not distract the viewer too much from the focal feature. The link below is an article about Gudthaykudthay and the uprising of his work which gives a brief analysis of his works over time. 


article

http://www.bandigan.com/stockroom/Philip%20Gudthaykudthay/index.html


b.mac


Monday, September 27, 2010

Artist: Paddy Japaljarri Sims

hey,

Paddy is a Warlpiri speaker who was born circa 1917 at Kunajarrayi, west of Yuendumu in the Northern Territory. He is one of the most influential artists of this region as he and others established the fine arts within the community. Paddy has worked consistently on canvas for the last 25 years and along with other artists in the area, has collaborated numerous times to produce paintings depicting their land which has been privately and publicly displayed. His artwork is rich in style as he uses repetition of shapes, though placed asymmetrically around the canvas which creates the feeling of a natural flow and as seen in these two examples, uses a wide range of colour pallets to create the overall theme and mood to the painting. From a design perspective, the placement of the icons seems to be to harmonious and in come cases symmetrical, though it the expressions through his painting of his land that makes these paintings different from others.

b.mac

http://www.aboriginalartonline.com/art/yuendumu.php




Tuesday, September 14, 2010

Sculpturer: Ken Thaiday

Ken Thaiday was born on Erub Island in 1950,  where he spent alot of his childhood around his father fishing on Darnley Island. Ken recalls fishing as the only thing they did on the small island as it was a part of their culture and skill. His passion for making his works comes from the love of fishing and the various types of fish he catches. The materials he uses in his works were skills that Ken's father taught him and it is evident in his sculptures and the attention to detail is amazing.  The image below is a headdress, which hence the name is a sculpture worn on top of the head during ceremonies and special occasions (dances). The shark is Ken's key totemic animal and in his culture certain sharks are associated with law and order, so respect forms part of the inspiration for his headdresses.

b.mac


Friday, September 10, 2010

Torres Strait Islands

me again,

Just been looking at some artists from the Torres Strait Islands region online and found some interesting artists/ sculptures. In particular I found works by Ken Thaiday whose work is made from various materials. From looking at the work from the Managerie exhibition, it is similar and uses intricate elements to create abstract representations of animals. Overall I find that the Torres Strait Islands arts are much more detailed and use commonly 2 colours and show the whole figure of the animals they are drawing. Below are some paintings by recent artists which show the attention to detail on the linen artworks.

b.mac

http://www.aboriginalartprints.com.au/regions_details.php?region_id=9



Thursday, September 2, 2010

Artist: Eubena Nampitjin

hello,

This week I am looking at Eubena (Yupinya) Nampitjin, who is a well known painter in the Kimberly region, Western Australia. Born in the 1920's at Tjinjadpa, she speaks Wangkajungka and Kukatja languages and is one of the most esteemed law women in her community. She is known greatly to being one of the best artists of Balgo and with intricate complexity along with a love of the warm reds, oranges and yellows, these are said to be part of Eubena's signature. "Eubena has great spontaneity and strength in her painting, leaving rhythmical tracks across the canvas composed of thick layers of dotted lines."
I find Eubena's work more abstract than traditional Aboriginal artists as there is a feeling of softness to the painting, like shown below. Her paintings are vibrant and use free flowing shapes/lines to represent the land she paints.

b.mac

Tuesday, August 31, 2010

Exhibition: Menagerie

Having missed the site visit to Tandanya National Cultural Institute to view the Managerie exhibition which showcased 33 established and emerging artists, I went along today to see the variety of sculptural works depicting animals, which were contemporary Australian art, craft and design. It showed a variety of animals/ insects which held greater meanings to them by the way they had been created and textured. In particular I found 3 sculptures that symbolized expression and meaning. The first being an emu made from barbed wire, representing the main cause of death to the animal throughout the Australian desert. Second being 3 kangaroos made from broken China ceramic plates, each with a different colour, red, blue, and white which represented the English Union Jack and the actions of the kangaroos showed the famous action of "see no evil, hear no evil, speak no evil" which relates to refusing to acknowledge something. Lastly there was a large fish sculpture which was made from plastic bags and rubbish, reflecting the damage that landfill causes to the natural wildlife of the lands. Overall, a great exhibition with an interesting perspective of how Aboriginal Art can be applied to a wide range of mediums and natural resources.

b.mac

http://australianmuseum.net.au/BlogPost/Science-Bytes/Menagerie-contemporary-indigenous-sculpture


Neetan (Camp Dog). Craig Koomeeta, 2008
Thipe (Yellow Bird). Patrick Kunoth Pwerle, 2008

Wednesday, August 25, 2010

Artist: Shorty Robertson

me,

Shorty Robertson was born at Jila, a large soakage and claypan north west of Yuendumu, Northern Territory in 1925. Shorty was a part of the Stolen Generation as he was forced from his land just after the end of World War 2 and gained freedom again around 1970. Now into his 70's, Shorty still exhibits his art which are themed with relations to specific land beliefs.
"Shorty’s paintings are fresh,vigorous and new. His use of colour to paint and interpret his dreamings of Ngapa (Water), Watiyawarnu (Acacia), Yankirri (Emu) and Pamapardu (Flying Ant) is vital, yet upholding the Warlpiri tradition."

b.mac

http://www.gadflygallery.com/artist_view.php?ArtistID=51

http://www.aboriginalartcoop.com.au/aboriginal-art/shorty-jangala-robertson/ngapa-jukurrpa-water-dreaming-puyurru.php




Sunday, August 22, 2010

Artist: Hubert Pareroultja

hey,

Born in Hermannsburg, Alice Springs in 1952, Hubert is another member of the water colour movement in the Aboriginal Art world. He was born in the same lands as Albert Namatjira where we would watch him draw as a young boy. It was his father Reuben Pareroultja, and uncles Otto and Edwin that were part of the original water colour movement that inspired him the draw in this particular style and would draw iconic features of his land. Personally, I like his style of drawings as they seem a little more abstract than other famous artists and in the image below, how he shows the gradient of colours as bold colours, apposed to blending them in.

b.mac

http://www.aboriginalartonline.com/art/hermannsburg.php

Wednesday, August 18, 2010

Video: Acrylic Paint

just a short video I stumbled upon on YouTube about how using acrylic paints has become more popular amongst the Aboriginal Art scene as it is easier to produce, is more comtemporary and can provide more more income.

b.mac

http://www.youtube.com/watch?v=CKqA3RteH1A&feature=related

Reflective Paper: Rabbit Proof Fence

hey,

for my reflective paper, I decided to extend my knowledge of the history of Indigenous Australians through the times of European settlement. I took notes throughout the film about the connections with traditions and beliefs in icons of their land. For instance, the film makes clear in the beginning about the spiritual belief of an eagle as it looks over them in protection and guidance.
The film is based in the early 1930's and focuses on the stolen generations, based on the real story of Molly Craig, sister Daisy and cousin Gracie and their trek from the Moore River Native Settlement back to their homeland of Jigalong. The movie makes you realize the hardship of these generations and through knowledge of land, spiritual beliefs and determination, how they overcame the "European lifestyle".

b.mac

Tuesday, August 17, 2010

Artist: Doreen Reid Nakamarra

Another bio on an artist by the name of Doreen Reid Nakamarra (birth: c.1948- October 20, 2009) who was born in the Warburton Ranges, in far eastern Western Australia. "Her pictorial style is based on repeated gestures and lines that build up a three dimensional optical field suggestive of specific stories associated with her land, but possibly also of movement generally – immaterial waves that move the world continuously." Doreen moved to Papunya, where she practiced the style of painting and produced her first completed paintings in 1996, later going on to exhibit her work in the States and in 2007 won the Telstra National Aboriginal and Torres Strait Islander Art Award general painting prize.

b.mac

http://www.bos2008.com/app/biennale/artist/21#

Friday, August 13, 2010

DVD: Albert Namatjira

me again,

today's lecture focused on famous Aboriginal artist, Albert Namatjira. Born in 1902 (deceased 1958) on the Hermannsburg Mission, Albert became the most notable Aboriginal artists exhibiting his work in galleries in Adelaide, Sydney and Melbourne, aswell as being presented to the Queen in 1954. Unlike traditional Aboriginal artists, Albert adapted the European painting style, heavily influencing him to paint with water colours. Although the paintings aren't symbolic like many other Aboriginal Art, they are detailed depictions of his land.

b.mac

http://www.indigenousrights.net.au/person.asp?pID=1013

Monday, August 9, 2010

Our mob: Exhibition

 hey,

today we had a site visit to Adelaide's Festival Centre to view the exhibition 'Our mob'. The exhibition was a reflection of the works of Indigenous South Australian's and the history of the culture of techniques such as 'dot paintings' or as it's known 'Papunya Tula. These were spiritual reflections with the connection of a physical land. There was much more focus on the style and technique in these paintings, which are unique to look at up close as there is so much detail and time put into the work.

 b.mac

Monday, August 2, 2010

Welcome to my blog...

hey,

my first post for this subject doesn't really have too much to say as we were introduced to the course and what we would be looking at over the semester. I'll keep you up to date the following week to see what's new.

b. mac